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This would take more time and more work to sync up.
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He or she composes a theme that identifies your film and enhances the emotion and subtext of your story.
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Turn of the Blade.
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Download iii questionCueing up cue sheets When you sell your film to a distributor, you need to provide a cue sheet.
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Download iii questionFoley walkers often use a Foley pit (sophisticated audio postproduction facilities usually have such a pit available).
Letting the Foley artist know what special elements may be helpful to bring when adding Foley to your picture (for example, coconut shells cut in half can emulate horses hoofs trotting across the pavement) is also helpful.
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Waiting for the thunder in a rainstorm?
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Create your own fight sounds by punching into a bag of flour or sand.
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The best thing to do is to have a composer rescore it and hire original singers and musicians to perform it.
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Download iii questionSonicfire Pro, choose from the music library selections that you own for the style of music (scary, happy, energetic, romantic, thriller), then point and click to cut, rearrange, and control the music to match your picture perfectly!
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This sheet, usually prepared by the composer, is simply a listing of all the music cues in your film.
You can then output it to a digital editing program, tape source, or onto a recordable CD.
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Download iii questionJust make sure that you use a good external microphone appropriate for recording the particular sound effect you want.
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That's where music libraries come to the rescue.
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Download iii questionSome music libraries allow you to sample their music via the Internet so that you can select tracks for your project without having to buy the CD before you hear it.
The composer should write music appropriate to each scene.
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Download iii questionCan't afford a DAT recorder but own a digital video camera?
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Some musical scores, such as.
BMI, ASCAP, and SOCAN BMI, ASCAP, and SOCAN (a Canadian association) are music performance rights organizations that collect royalties for songs, soundtracks, and any other music sources created by their members (composers, songwriters, and musicians) that appear in any published work.
Adding room tone: Ambience or background sounds Ambience is the background sound that gives your soundtrack fullness and enhances the location environment.
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You don't have to be a musician or know how to read music to get professional results.
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Download iii questionWith the sophistication of today's computers and digital technology, almost every film's music design is done digitally (on a computer) by using a software program like Pro Tools.
I've been using Music Bakery's CDs for years, and I've always been impressed with the selection.
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You can save some money if you use the lyrics from the song but have your newly discovered band do its own rendition (you still need to license permission to use the lyrics).
Download iii questionPlaying with original songs You can enhance your film and add some energy to certain scenes by slipping in some songs.
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Download iii questionOrchestrating the rights to popular music Music companies have dedicated licensing departments for the very purpose of licensing songs for use in films, TV, and commercials.
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Some of the categories that music libraries offer include a variety of musical styles and genres: jazz and blues, orchestral, rock and urban, corporate image music (short music intros appropriate for logos), drama and suspense, and more.
Download iii questionEvery music label has a licensing department that deals specifically with licensing their songs to film, TV, and commercial properties.
Download iii questionOften, the production sound mixer records a loopable ambient track at the shoot (see Chapter 12).
The program gives you custom control over genre, style, and duration.
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Download iii questionLooping the loop Looping, also called ADR (automatic dialogue replacement), is the art of replacing dialogue that wasn't recorded clearly on the set or couldn't be recorded properly because the location was too noisy to get good audio.
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